Copyright

Multi-sided Music Platforms and the Law: Why platform specificity and Global South focus matter

Multi-Sided Music Platforms and the Law is a book that provides a well-informed, thorough and rigorous treatment of relevant legal issues from an African perspective, whilst never losing sight of the ‘broader picture’. As such, it is expected to benefit a diverse group of readers, as well as policy and law makers in Africa and abroad in tackling relevant legal conundrums effectively.

Book Symposium: Multi-sided Music Platforms and the Law: Afrocentric perspectives

The book titled Multi-Sided Music Platforms and the Law: Copyright, Law and Policy in Africa is a timely contribution to literature in this era, with regards to the music boom in Nigeria and other parts of Africa and the existence of music platforms for entertainment as well as commercial purposes. There is a voluminous scholarship in this book on law and multi-sided platforms generally on one hand and copyright law specifically on another. The author focused on the legal and regulatory issues that arise from the use of copyright-protected content by multi-sided platforms in digital advertising.

Book Symposium Introduction: Multi-sided Music Platforms and the Law: Copyright, Law and Policy in Africa

According to Professor Caroline Ncube in the foreword, this book is an important and timely contribution to the discussion of music platforms and is the first work that considers multi-sided platforms from the perspectives of copyright, competition and privacy under South African and Nigerian laws.

The First Sale Doctrine and its Benefits: Vanishing with Digitisation?

For a region like Africa and other less affluent regions, much dependence is placed on the possibility of borrowing copyrighted works from friends and families for access by persons who cannot afford purchasing their own copies. If the first sale doctrine and its accompanying benefits for access to works “vanish”, dissemination of digital works by way of lending becomes restricted.